Kuleshov on Film is essential reading for everyone seriously concerned with the cinema. Comprehensive, authoritative, and illustrated throughout, this classic work deserves to be on the shelf of every serious student of cinema. Comprehensive, authoritative, and illustrated throughout, this classic work deserves to be on the shelf of every serious student of cinema. This text examines the aesthetics of Soviet cinema during its golden age of the 1920s, against a background of cultural ferment and the construction of a new socialist society. Found insideThis book is the definitive biography of an influential director who saw film as the synthesis of all the arts and whose work displayed a passionate and profound grasp of art, science, philosophy, and religion. Found insideA renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies "This account of photography and cinema shows how the two media are not separate but in fact have influenced each other since their inception. In this updated edition of his classic text, Kenez covers the roots of Soviet cinema in the film heritage of pre-Revolutionary Russia, tracing the changes generated by the Revolution of 1917. Found insideThis book explores the ideas of the neglected English aesthetician and art historian, Adrian Stokes. In Christophe Honoré: A Critical Introduction, authors David A. Gerstner and Julien Nahmias invite English-speaking scholars and cinéastes to explore Honoré’s three most recognized films, Dans Paris (2006), Les Chansons d’amour ... This is an account of Soviet documentary output during the years between the "Great October Socialist Revolution" and the "Great Patriotic War". By comparing films from Italy, Hungary, South Korea, and the United States, this book contends that the aesthetic tradition of ambiguity in art cinema can be traced to post-authoritarian conditions and that it is in the context of a ... Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned ... Jay Leyda, the veteran Eisensteinian, and Alan Upchurch, the young scholar-translator, have collaborated on this collection of freshly translated invaluable Eisenstein material, with a couple of pieces by the master on imagery, a historic ... "This book is a slice of intensified history—history as I saw it.” So begins John Reed’s first-hand account of the Bolshevik Revolution of 1917. Found inside – Page 455... Strike), did not emerge from the context of the pre-revolutionary Russian ... principle of 'montage of attractions'. strike (1924) Strike was the first ... Found insideFocusing on nine of these women and presenting shorter glimpses of nine others, this book tells their captivating personal stories and examines their professional achievements. Found inside – Page 377... react against what he perceived as a hardening of Soviet montage conventions . ... Strike borrows methods of Civil War art , using Eccentrism and mass ... In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl, Sergei Eisenstein, and Noël Burch to the work of landmark Hollywood editors like Walter Murch and Edward Dmytryk. This book gathers examples of the author's criticism from the span of his writing career, each of which demonstrates his passion for the way we view movies, as well as how we write about them. The Eisenstein Collection brings together Sergei Eisenstein's key writings in one volume for the first time and includes new material not previously available. This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. As it ranges across four decades, examining classics like American Graffiti and The Godfather as well as recent success like The Lord of the Rings: The Two Towers, this book provides a vivid and engaging interpretation of how Hollywood ... Found insideGilberto Perez draws on his lifelong love of the movies as well as his work as a film scholar to write a lively, wide-ranging, penetrating study of films and filmmakers and the nature of the art form. With 48 pages of illustrations from the author's own collection, including photos and personal sketches, this is the fullest picture possible of a man and his films, from one of the most iconic eras of the art form. A top Soviet filmmaker discusses the art of making movies, the growing bureaucracy of the Russian film industry, and the purpose of cinema In this work the author is not necessarily reversing the conventional image, but rather asking what happens when women are situated on both sides of the keyhole. What Happened is the story of that campaign, now with a new epilogue showing how Hillary grappled with many of her worst fears coming true in the Trump Era, while finding new hope in a surge of civic activism, women running for office, and ... Additionally, the text can be packaged with the award-winning Film, Form, and Culture CD-ROM, and is supported by an extensive Instructor's Manual and text-specific website. These pioneering books made clear at once that movie making need no longer flounder for a methodology or for its own standards. .. This is the essential guide for anyone interested in film. Now in its second edition, the text has been completely revised and expanded to meet the needs of today's students and film enthusiasts. Kino and the Woman Question is a study of Soviet silent films in terms of their complex and often contradictory explorations of woman's position within socialist culture and narrative. Found insideGlenn Frankel’s Shooting Midnight Cowboy tells the story of a modern classic that, by all accounts, should never have become one in the first place. In this book, David Satter shows through individual stories what it meant to construct an entire state on the basis of a false idea, how people were forced to act out this fictitious reality, and the tragic human cost of the Soviet attempt ... Found insideDrawing upon an extraordinary array of films, noted scholar Emma Widdis shows how Soviet cinema, as it evolved from the revolutionary avant-garde to Socialist Realism, gradually shifted its materialist agenda from emphasizing the external ... Found insideIn Brechtian Cinemas, Nenad Jovanovic uses examples from select major filmmakers to delineate the variety of ways in which Bertolt Brecht s concept of epic/dialectic theatre has been adopted and deployed in international cinema. Found insideClear and concise in its arguments, this is an ideal introduction for students of Marxism and film, inviting readers to deepen their knowledge and understanding of the subject. Found insideThe book attempts to follow the train of thought that connect the aesthetic construction and visual design of the film to Eisenstein's knowldege of iconography and painting, psychoanalysis and philosophy, Shakespeare and Balzac - and much ... James Goodwin treats issues of revolutionary history and historical representation as central to an understanding of Eisentein's work, which explores two movements within Soviet history and consciousness: the Bolshevik Revolution and the ... Found inside – Page 116This is true even of a film such as Strike that clearly embodies the “mass hero” emphasis of Soviet montage cinema. In restricting its narration temporarily ... In the period covered by this volume, Eisenstein's film-making ran into the difficulties generated by the Soviet authorities' increasingly restrictive definition of Socialist Realism, by the show trials and the purges, the Second World War, ... No Marketing Blurb For the first time in one volume, this book presents in concise, chronological form, Sergei Eisenstein's most significant work, including his famous theories of montage and articles on subjects as diverse as sound, film language and Russian ... The book analyzes his most influential films—including Battleship Potemkin, October, and Aleksandr Nevskii—as well as his uncompleted film projects, pioneering theories and methods, and copious archive of writings and drawings.
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